Generated by All in One SEO Pro v5.0.0.1, this is an llms.txt file, used by LLMs to index the site. # The Set & Scene Show The Show for Visual Storytellers ## Sitemaps - [XML Sitemap](https://setandscene.show/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [The sustainable design scene: personal reflections from co-founder](https://setandscene.show/behind-the-scenes-how-we-make-set-and-scene/) - #I am in awe of the designers, craftspeople and artists who bring worlds to life on screen and stage. But we all know that building these worlds creates a significant amount of waste in the real one. A challenge many in the industry are actively working to solve. Years collaborating with organisations like CAMA AssetStore, I am in awe of the designers, craftspeople and artists who bring worlds to life on screen and stage. But we all know that building these worlds creates a significant amount of waste in the real one. A challenge many in the industry are actively working to solve. Years collaborating with organisations like CAMA AssetStore, - [Connecting creative worlds: our co-founder’s perspective on Set & Scene](https://setandscene.show/why-we-make-sessions/) - Discover why Set & Scene was created—connecting film, theatre and live events through a new cross-industry creative platform. - [A sold-out debut at Central Saint Martins](https://setandscene.show/a-sold-out-debut-at-central-saint-martins/) - Set & Scene 2026 launched at Central Saint Martins, uniting 800+ creatives from film, theatre and live events in a sold-out first edition. - [Set & Scene 2026 launches new sustainable design scene for film, theatre and live events](https://setandscene.show/set-scene-launches-cross-industry-event-championing-sustainable-design-for-film-theatre-and-events/) - Set & Scene 2026 is the UK’s first cross-industry gathering to unite designers, makers, producers, and suppliers from film, television, theatre, live events, and immersive experiences in one space to explore sustainable design, materials, and construction. The event will take place on 25 April 2026 at Central Saint Martins, University of The Arts London, Granary ## Pages - [Set & Scene](https://setandscene.show/) - A one-day show celebrating stagecraft, scenic design & visual storytelling. Join professionals, celebrate crafts & explore the future of scenic design. - [Events Gallery](https://setandscene.show/events-gallery/) - Events GallerySet & Scene Show 2026: Hosted at Central St Martins, Kings Cross, London - [Behind the scenes](https://setandscene.show/meet-the-set-scene-team/) - Meet the Set & Scene team, connecting film, theatre and events professionals to spark collaboration, share ideas and tackle industry challenges together. - [Join The Scene](https://setandscene.show/join-the-scene/) - Be the first to know - join our list for event updates, insider news and special surprises! - [Exhibitors](https://setandscene.show/exhibitors/) - Explore a curated gallery of exhibitors, makers and creative partners supporting screen, stage and immersive production at Set & Scene. - [Session Speakers](https://setandscene.show/session-speakers/) - Meet the session speakers shaping Set & Scene, a curated lineup of designers, makers and creative leaders working across screen, stage and immersive worlds. - [Sessions](https://setandscene.show/sessions/) - See the full Set & Scene Sessions lineup—talks, panels and ideas from top creative voices. Plan your day and catch every session. - [News](https://setandscene.show/news/) - Set & Scene NewsView all articles 1st May 2026A sold-out debut at Central Saint MartinsFeaturedS&S News Industry PressOur pick of industry news, studio announcements and sector reading we think is worth your time. Design event Set & Scene sells out London debut1st May 2026Source: British Cinematographer Set & Scene 2026 debut sells out1st May 2026Source: - [Plan Your Visit](https://setandscene.show/plan-your-visit/) - 25 April 2026. UAL Central Saint MartinsPlan your visitStep into a day of ideas, exhibitions and conversation with the designers, makers and innovators shaping worlds for screen, stage and immersive experience. The Set & Scene ExperienceStart your morning by dropping into the Lightroom for our exclusive David Bowie: You’re Not Alone experience, which runs continuously - [Media](https://setandscene.show/televisual-press-library/) - Explore Televisual's featured articles on production design, showcasing the creative talent behind some of the UK's most acclaimed film and TV productions. - [Memberships](https://setandscene.show/memberships/) - Our membership association and partner discount codes are listed below. British Film Designers Guild – BFDG26 Production Designers Collective – PDC26 Society of British Theatre Designers – SBTD26 United Talent Agency – UTA26 Art Department – ARTDEPT26 Filmbase – FBASE26 Talking Point – TPOINT26 National Theatre – NT26 Women in Virtual Production – WVP26 PD-REN - [Cookie Policy](https://setandscene.show/cookie-policy/) - Read how Set & Scene uses cookies to improve your experience, analyse traffic, and personalise content. Learn what we collect and how to manage your settings. - [Privacy Statement](https://setandscene.show/privacy-statement/) - Privacy StatementSet & ScenePrivacy StatementIn this privacy statement, we explain what we do with the data we obtain about you via https://setandscene.show. We recommend you carefully read this statement. In our processing we comply with the requirements of privacy legislation. That means, among other things, that: we clearly state the purposes for which we process personal - [Shape The Scene](https://setandscene.show/shape-the-scene/) - Shape The Scene The Set & Scene Show is created for, and with, the design and production community. Your insight is essential as we develop our 2026 programme. This short survey is your chance to shape the conversations, creativity, and connections at the heart of Set & Scene. Please enable JavaScript in your browser to complete ## Exhibitors - [BECTU](https://setandscene.show/exhibitor/bectu/) - Bectu is the UK trade union for the creative industries. If you work in a non-performing role in arts, media, entertainment – whether full-time, casual, or freelancer - then Bectu is for you. Bectu members work across theatre, film, TV, live events, galleries, fashion, broadcasting, and more! - [ReSet Scenery](https://setandscene.show/exhibitor/reset-scenery/) - Circular economy specialists reimagining the life cycle of scenery and rethinking how scenic materials are used and valued. - [Greens Team](https://setandscene.show/exhibitor/greens-team/) - Greens Team has worked closely with many designers and producers, filming all around the world, on many celebrated past and present blockbuster films and television dramas. - [Flints](https://setandscene.show/exhibitor/flints-hire-supply/) - Flint Hire and Supply was established over forty years ago to provide the theatre industry with a one-stop-shop for specialist theatre hardware and paints. Today we support many more disciplines and areas of the production, than just theatre stage construction and decoration- a reflection of the growing Arts sector in the UK and beyond perhaps! - [Poly-Props](https://setandscene.show/exhibitor/poly-props/) - Poly-Props is a paint, coating, and composite materials supplier, manufacturer, and online retailer based in Derbyshire. We provide specialist materials used across creative, technical and industrial fabrication. From flexible foams and large-format blocks to primers, coatings and casting systems, Poly-Props is built around materials that perform in demanding production workflows. What started as a creative - [Rosco Digital Imaging](https://setandscene.show/exhibitor/rosco-digital-imaging/) - Rosco Digital Imaging has been supplying backdrops to productions of all shapes and sizes globally for over 30 years. Specialising in full service background solutions, we work closely with Art Departments to complete their designed worlds on sound stages, enabling actors to be fully immersed in their environment. Rosco's extensive image library and rental inventory - [Aviation Filming](https://setandscene.show/exhibitor/aviation-filming/) - Aviation Filming Ltd is run by Mike Woodley, one of the UK’s leading experts in aeroplanes for film and TV With over 30 years experience Aviation Filming is one of the most respected and established aviation film companies. The proof of this is the fact that we have been trusted to work on the last 8 James Bond - [DRS Film Sets](https://setandscene.show/exhibitor/drs-film-sets/) - We’re DRS. We build film sets. - [City Theatrical](https://setandscene.show/exhibitor/city-theatrical/) - City Theatrical creates innovative lighting, tools, and accessories that empower designers to bring bold, imaginative environments to life on stage, on screen, and at live events. - [Pinstripes & Peonies](https://setandscene.show/exhibitor/pinstripes-peonies/) - Pinstripes & Peonies is a creative floral design company that continuously redefines the standards of the industry.​ - [Johnny Mann Scenic Services](https://setandscene.show/exhibitor/johnny-mann-scenic-services/) - JMSS is proud to partner with Macfarlane Packaging to showcase a cardboard set design. With over 35 years' experience in the film and television industry, JMSS is a highly professional and creative scenic construction company based in Gloucestershire, with easy access to the M5 and M4. We pride ourselves on doing all we can to - [Theatre Green Book](https://setandscene.show/exhibitor/theatre-green-book/) - Theatre Green Book is an industry-wide initiative to work more sustainably in response to the climate crisis. It is a free resource for everyone in the performing arts, working in any role and at all scales, providing a framework for planning, best practice guidance, a measurement system and shared standards. - [Decora Mouldings](https://setandscene.show/exhibitor/decora-mouldings/) - With an established background in fine furniture, Decora Mouldings is a pioneering family manufacturer specialising in mouldings and components for the joinery and interiors markets. - [2Scale.Shop](https://setandscene.show/exhibitor/2scale-shop/) - 3D Printing for Theatre Designers. No more wasting time making repeat model parts - we can produce 3D printed components from your 3D or 2D CAD drawings, sketches or just reference images. - [Society of British Theatre Designers](https://setandscene.show/exhibitor/society-of-british-theatre-designers/) - The Society of British Theatre Designers supports Designers at every stage of their career, from students to professional designers running their own studio. We have a membership of over 600 worldwide, and have just announced our new National Exhibition, design | stage, taking place in Coventry in 2027. SBTD enable, facilitate and champion designers at every - [CAMA AssetStore](https://setandscene.show/exhibitor/cama-asset-store/) - Easy asset management for the creative industries Film and TV productions across the UK face a common challenge: managing props, costumes, and sets after filming wraps. Storage costs can quickly escalate, sustainability goals are often missed, and finding secure facilities near regional filming locations is a constant struggle. At CAMA AssetStore, we understand the creativity - [British Film Designers Guild](https://setandscene.show/exhibitor/british-film-designers-guild/) - The British Film Designers Guild (BFDG) is a professional organisation that represents and supports the creative talents involved in production design for film, television, and other visual media in the United Kingdom. The Guild sets the industry standard for Art Department excellence, professionalism, and dedication. BFDG membership is a mark of recognition that’s highly respected - [Vectar Sets](https://setandscene.show/exhibitor/vectar-sets/) - The Film and TV industry is committed to low-carbon production, and everyone is looking for eco-friendly solutions: Vectar Sets is the first company to offer fully recyclable paper-based sets! Our unique, 100% paper-based Vectar Board offers up to 95% lower carbon impact than conventional materials with all the strength to substitute wood and MDF. Vectar - [Vaudeville Sound](https://setandscene.show/exhibitor/vaudeville/) - Vaudeville is an international full service post production sound company specialising in ambitious & creative sound design, mixing and recording in immersive and experiential environments, creating deep immersion for audiences. With studios spanning three continents and expertise in spatial audio R&D, we're equipped to scale—whether it's a brand film requiring Atmos, an automotive UI - [Solas Mind](https://setandscene.show/exhibitor/solas-mind/) - A thoughtful presence focused on wellbeing, reflection and sustainable creative practice within demanding industries. - [NOOR](https://setandscene.show/exhibitor/proteus-noor/) - Proteus is a mixed reality technology studio and the creator of NOOR, a collaborative spatial platform designed for creative teams working with 3D environments. NOOR enables architects, production designers, filmmakers and design teams to step inside their projects and work together in real scale. Using mixed reality devices, users can review, position and interact with - [USED Creative](https://setandscene.show/exhibitor/used-creative/) - At USED Creative, upcycling is more than just a method – it's a mindset. We believe there’s a whole universe of beautiful things out there just waiting to be rediscovered, reimagined and reused. Whether it’s salvaged wood, discarded signage, or forgotten furniture, we see creative potential in materials others might overlook. By breathing new life into the old, we reduce waste, celebrate character, and prove that good design doesn’t have to cost the Earth – literally. - [Totom Construction](https://setandscene.show/exhibitor/totom-construction/) - Totom is a set construction company working across TV, film, live events and retail environments. From studio builds to location work, high-visibility installations to props, our team works closely with designers and production teams to bring concepts to life. - [Paper Lounge](https://setandscene.show/exhibitor/paper-lounge/) - Using high-quality Kraft paper and a unique honeycomb structure, Paper Lounge's lightweight, foldable pieces combine strength, flexibility, and timeless design. - [Cineco](https://setandscene.show/exhibitor/cineco/) - At the heart of every set we build is a team of passionate craftspeople, designers, and makers devoted to transforming vision into reality. With expertise spanning carpentry, metalwork, scenic painting, and project management, our crew combines decades of experience across film, television, editorial, and commercial production. - [Sterling Event Group](https://setandscene.show/exhibitor/sterling-event-group/) - Sterling Event Group is one of the UK’s leading technical production partners, trusted to deliver exceptional event experiences across a diverse range of event types and scales. - [Stylo Film & TV](https://setandscene.show/exhibitor/stylo-film-tv/) - Working across film, TV, live performance, events, retail and immersive environments, Stylo creates graphics, specialist finishes, props and storytelling surfaces that balance traditional craft with advanced print and fabrication technology from concept through to installation. - [The Natural Dye Garden](https://setandscene.show/exhibitor/the-natural-dye-garden/) - The Natural Dye Garden is a vibrant hub for sustainability, implementing environmentally friendly practices into the NT’s production processes, while sparking community connection and boosting mental wellbeing through creative and education experiences. The garden space is open to the public and grows plants with non-toxic, biodegradable and renewable dyeing properties. The plants are processed in - [National Theatre and Royal Shakespeare Company Modular Scenery](https://setandscene.show/exhibitor/national-theatre-and-royal-shakespeare-company-modular-scenery/) - A joint exhibition between the National Theatre and Royal Shakespeare Company to gain an insight into modular theatrical scenery. ## Press Articles - [Arts Council Hands Out £128m to UK Cultural Venues](https://setandscene.show/press-article/arts-council-128m-cultural-venues/) - Arts Council England has announced £127.8 million of new funding for 130 cultural venues, museums and libraries across the country — with the Lowry, Theatre Royal Stratford East and the RSC among the theatre organisations receiving support. The bulk of the money (£96 million) comes through the Creative Foundations Fund, which is specifically earmarked for - [Design event Set & Scene sells out London debut](https://setandscene.show/press-article/design-event-set-scene-sells-out-london-debut/) - [Set & Scene 2026 debut sells out](https://setandscene.show/press-article/set-scene-2026-debut-sells-out/) - [Televisual Partners with Set & Scene 2026](https://setandscene.show/press-article/2780/) ## Sessions - [Beyond the screen: From watching to belonging](https://setandscene.show/session/from-watching-to-belonging/) - Audiences today want more than to simply sit and watch; they want to participate, to be part of the brand experience and the fandom itself. Major franchises and household names are actively moving into the physical world, using live events, touring theatre, and immersive brand activations to connect with their fans. We will explore how - [Nature, designed: greens in film, TV & experience](https://setandscene.show/session/nature-designed-greens-in-film-tv-experience/) - Greens in Film, TV & experiences: from tropical jungles and fantasy forests to English country gardens or burnt‑out battlefields, from fashion shows and product launches to raves and live experiences, greens have the power to transform any space instantly. In this session, the Greens Team pull back the curtain on their world, sharing insights from - [Traditional matte painting - A heritage craft for the modern production workflow](https://setandscene.show/session/matte-painting-a-heritage-craft-at-risk/) - Leigh Took of Mattes and Miniatures presents a live demonstration of the critically endangered craft of matte painting. Showing the process of painting throughout the day, Leigh will present a short talk about the heritage craft and take questions from the floor. Once central to filmmaking, matte painting was used to create expansive worlds beyond - [In conversation with Production Designer Luke Freeborn](https://setandscene.show/session/in-conversation-with-production-designer-luke-freeborn/) - In this session Samantha Speirs, Production Arts agent at UTA, talks to Production Designer Luke Freeborn, who is currently at Shinfield shooting Sonic the Hedgehog 4, about his career, his creative process, emerging technology and his visions for the future of design across the creative industries. Luke Freeborn is a production designer with over 29 years - [From sketch to structure: the art and craft of scenic construction.](https://setandscene.show/session/from-sketch-to-structure/) - This session puts the spotlight on the construction skills that bring set designs to life. You will hear directly from leading construction and scenic build teams as they share practical lessons from standout projects in film, theatre, and live events. Through a series of 10 mins case studies, you’ll learn how teams solve complex engineering - [Objects of influence: props, brands and storytelling](https://setandscene.show/session/objects-of-influence-props-brands-and-storytelling/) - From the watch on a character’s wrist to the objects placed on a kitchen counter, nothing in a story world is accidental. Every detail is chosen to communicate character, status and time — and sometimes, to shape how audiences perceive the brands behind them. This session explores how objects and products influence storytelling across screen - [David Bowie: You're Not Alone](https://setandscene.show/session/exclusive-screening-of-david-bowie-youre-not-alone/) - We're thrilled to announce that Set & Scene 2026 guests are invited to start the day with an immersive experience like no other. Join us for David Bowie: You’re Not Alone, an exclusive screening at Lightroom, just across the road from Central Saint Martins. The screening will run continuously from 08:30 to 10:00 at the - [Designing with intelligence: creativity in the age of AI](https://setandscene.show/session/human-machine-where-ai-assists-and-where-it-shouldnt/) - Artificial Intelligence is here. For many designers, it brings a mix of curiosity and concern. What does it mean for our jobs, our craft, and our creativity? How do we take the lead as creatives and control the machine? This panel is for every designer asking these questions. We are moving the conversation beyond the - [Research is everything: the art of visual research](https://setandscene.show/session/research-is-everything-the-art-of-visual-research/) - Hear directly from designers and their researchers as they lift the lid on their processes—how they dig through archives, track down obscure photography, and follow hunches that unlock a project’s potential. In this session, designers share stories from recent projects. Pick up practical tricks, from finding rare references offline to building creative partnerships that push - [Building wonder: designing The Magic Faraway Tree](https://setandscene.show/session/building-wonder-designing-the-magic-faraway-tree/) - Join us for an exclusive panel discussion exploring the creative journey behind The Magic Faraway Tree. Led by Production Designer Alexandra Walker, this session celebrates the remarkable artistry of the art department, prop makers, greens and construction teams who built a truly immersive, fantastical world at Shinfield Studios. We will explore how the design team achieved a - [Hand-draughting: live at the drawing board](https://setandscene.show/session/hand-draughting-live-at-the-drawing-board/) - Senior draughtsperson Dorrie Young will be demonstrating the craft of traditional hand-draughting throughout the day at Set & Scene. Working live at the drawing board, Dorrie will showcase the precision, clarity and beauty of pencil draughting, a skill that remains central to many art departments despite the rise of computer-aided design. Alongside examples from her - [The natural dye garden: transforming garden plants into vibrant fabrics and props.](https://setandscene.show/session/the-dye-garden/) - Experience an exclusive, hands-on look at sustainable design with the Dye Garden — a collaborative session from the National Theatre and Glyndebourne. These sessions bring together leading theatre artisans and specialist gardeners to showcase how plant-based, natural dyes are created and used in costume and scenic design for major productions. Learn directly from Andrea, a - [Cardboard engineering on set and stage: trialling and building a new standard](https://setandscene.show/session/cardboard-engineering-on-set-and-stage-trialling-and-building-a-new-standard/) - As the creative industry actively seeks lighter, more sustainable, and cost-effective alternatives to traditional materials, cardboard is emerging as a highly robust contender in set construction. This interactive session provides a guided tour around the Johnny Mann Scenic Services and Macfarlanes packing stand. This tour will be at 11.30am, 1.15pm and 3.00pm Session Leads: Johnny Mann Scenic Services and Macfarlanes Session Overview As the creative industry actively seeks lighter, more sustainable, and cost-effective alternatives to traditional materials, cardboard is emerging as a highly robust contender in set construction. This interactive session provides a guided tour around the Johnny Mann Scenic Services and Macfarlanes packing stand. Attendees will - [The creative circular economy: sharing props, sets and costumes across screen, stage and events](https://setandscene.show/session/the-creative-circular-economy-sharing-props-sets-and-costumes-across-screen-stage-and-events/) - As the creative industries strive for greater sustainability, the traditional "build, shoot, dispose" model is rapidly becoming a thing of the past. This dynamic session brings together forward-thinking innovators to explore the practicalities of the circular economy in film, theatre, and immersive events. We will examine how art departments and creative teams can revolutionise their - [Designing for the nervous system: neuroaesthetics in practice](https://setandscene.show/session/designing-for-the-nervous-system-neuro-aesthetics-in-practice/) - This session explores how neuroscience and neuro aesthetics are shaping design across screen, stage, immersive experiences and visitor attractions. The discussion will cover how biometric response, emotional pacing, and the use of colour, light and sound are used to physically impact an audience, and what designers can genuinely use from this emerging science. - [Exploring modular scenery design: celebrating new and traditional techniques](https://setandscene.show/session/modular-scenery/) - The modular scenery sessions will provide an insight into the design and fabrication of modular theatrical scenery with the National Theatre and Royal Shakespeare Company. You will be able to see behind the scenes photographs and drawings of various modular systems that have been designed in house and used on real productions. You can hear - [Designing new worlds: technology in modern production design](https://setandscene.show/session/designing-new-worlds/) - As the boundaries between digital and physical continue to dissolve, this session brings together technology creators, studio innovators and set builders to explore how new tools are reshaping the way we design and deliver worlds. From early-stage visualisation and previs through to on-set planning and physical construction, AR, VR and mixed reality are becoming embedded - [Thriving in the creative industry: building a sustainable healthy career](https://setandscene.show/session/building-a-sustainable-career/) - Session Overview The creative sectors frequently demand long hours, constant availability, and high resilience under intense pressure. This session focuses on how we can build careers that remain creatively fulfilling whilst actively protecting our wellbeing. The discussion centres on practical wellbeing strategies, skills development and career progression, navigating industry challenges, and fostering environments where craftspeople - [Tomorrow’s experience: the evolution of spatial storytelling](https://setandscene.show/session/tomorrows-experience/) - Audiences are seeking ever more immersive and visually rich experiences, and designers are increasingly asked to create environments that move beyond the traditional screen or stage. From purpose-built digital venues such as the Lightrooms to large-scale concert environments and hybrid performance spaces, the boundaries of live experience are rapidly expanding. This forward-looking panel brings - [The cinematic home: a research project conversation](https://setandscene.show/session/the-cinematic-home-a-research-project-conversation/) - An open scoping session for a new research project exploring the cinematic home as a site of storytelling, emotion and design. Building on Dr. Jane Barnwell’s Production Design & The Cinematic Home (2022), this conversation brings together industry and academia to define key questions, shape a future exhibition, and establish a network of collaborators. For - [Building a zero-waste economy for stage and screen - insights from ReStage’s research and AssetFlow’s innovations ](https://setandscene.show/session/building-a-zero-waste-economy-for-stage-and-screen-insights-from-restages-research-and-assetflows-innovations/) - This session spotlights Sara Turnbull’s key lessons for designers and makers, drawn from ReStage’s research, pilot at the National Theatre, and work with reuse hubs across the UK including collaboration on the Get Set Cymru pilot site in Wales with Ella and AssetFlow; she will share a preview of the main asks and calls to - [Schweppes - take your time](https://setandscene.show/session/schweppes-take-your-time/) - In this BFDG award-winning commercial, the brief was to design a Mars-bound spaceship that felt both softer in form and grounded in reality. What followed was a fast-paced, highly collaborative build that brought together physical set construction, virtual production and mixed reality workflows within an ambitious 7-week prep and 1-week shoot. Working across disciplines from - [Crafting a sustainable stage: exploring innovative materials in scenic art & prop making](https://setandscene.show/session/sustainable-materials-in-scenic-art-and-prop-making/) - For set decorators, designers, and makers, choosing the right material can make or break a project. As sustainability becomes a must, not a maybe, how do we keep our craft at its best while protecting the world around us? Join Gavin Gibson - Head of Scenic Art at National Theatre, Michael Garrett - Head of - [Ideas with a home: the Elstree Immersive Incubator, turn your pdf into reality](https://setandscene.show/session/ideas-with-a-home-the-elstree-immersive-incubator-turn-your-pdf-into-reality/) - The Elstree Immersive Experience is building a new creative incubator inside one of the world's most significant film and television production clusters. Located at the heart of the Elstree studio ecosystem, the project brings together industry, education and creative talent to develop new forms of immersive storytelling, digital production and live experience. In this open - [Foundations of draping: form, fabric & finish](https://setandscene.show/session/foundations-of-draping-form-fabric-finish/) - Live Demonstration In this focused one-hour demo, Susie Carlino reveals the core techniques behind transforming fabric into immersive environments. From selecting the right material to mastering pleats, swags and tensioned forms, she demonstrates how fabric behaves, how to control it, and how to achieve a polished, durable finish. With more than two decades in - [Crafting the story: props, costumes and human creativity](https://setandscene.show/session/prop-houses-costumiers-the-uk-advantage/) - Discover how the UK’s prop houses and costumiers help bring stories to life through craft, knowledge and collaboration. Behind every convincing world on screen, stage or in live experience are skilled makers who understand the language of character, period, texture and detail. At its heart, this session is a celebration of human creativity in - [The heart of making: exploring the Set & Scene exhibition](https://setandscene.show/session/the-heart-of-making-exploring-the-set-scene-exhibition/) - The Set & Scene Exhibition is the vibrant, beating heart of the event, offering a dynamic and interactive experience for all attendees. This curated space moves beyond theoretical discussions to provide a tangible connection to the craft, innovation, and expertise that underpin the creative industries. The exhibition is designed to showcase the makers, suppliers, and - [Sci-fi prop design in action](https://setandscene.show/session/sci-fi-prop-design-in-action/) - Concept artist Kris Turvey will be demoing some of the techniques from his two Gnomon Workshop tutorials, 'Introduction To Autodesk Fusion' and 'Designing Sci Fi Props For Film'. Introduction to Autodesk Fusion is a beginner's guide to this powerful industrial design and manufacturing software that's widely used in prop fabrication. Designing Sci-Fi Props for Film - [Wrap drinks sponsored by Cineco and Greens Team](https://setandscene.show/session/wrap-drinks-sponsored-by-cineco-and-greens-team/) - Join Cineco and the Greens Team as we close the day and bring everyone together on The Street. Connect with fellow designers, makers, suppliers, partners and sponsors, grab a drink, and keep the conversations flowing into the evening. - [The art of scenic painting (in an increasingly digital world)](https://setandscene.show/session/the-art-of-scenic-painting-in-an-increasingly-digital-world/) - As digital printing becomes an increasingly common alternative to hand-painted scenery, this session explores what is truly gained — and what risks being lost — when traditional scenic painting is replaced by faster, mechanised processes. Bringing together leading scenic painters and designers, we unpack the intelligence and artistry embedded within painted environments — from texture, ## Team Profiles - [Yosien Burke](https://setandscene.show/team-profile/yosien-burke/) - With 30 years of experience supporting the film and TV industry, Yosien has built a strong foundation in crew training, industry events and sustainability initiatives. Renowned for her ability to foster cross-industry collaboration, she enjoys connecting crew, suppliers and stakeholders across the wider industry, creating exciting opportunities and innovative partnerships. - [Bimla Jackson](https://setandscene.show/team-profile/bimla-jackson/) - Bimla Jackson brings over 20 years of creative events and brand experience industry knowledge, most recently heading up operations for the British Film Designers Guild. Born into a theatrical family, Bimla’s passion lies in connecting and inspiring creative minds, giving them a vital space to grow and share brilliant ideas. - [Kirsten Farley](https://setandscene.show/team-profile/kirsten-farley/) - Kirsten spent over 12 years working as a Stage and Company manager running professional productions in the West End, supporting Broadway transfers as well as stages and artists at festivals from Latitude to Edinburgh Fringe. - [Murray Ashton](https://setandscene.show/team-profile/murray-ashton/) - Murray Ashton adds a global perspective to the team. As the founder of The Location Guide and FOCUS, he has been instrumental in building international partnerships that shape the creative landscape. His understanding of the industry’s commercial and creative needs helps Set & Scene deliver world-class opportunities. - [Bonnie Poole](https://setandscene.show/team-profile/bonnie-poole/) - Bonnie has worked across theatre, film, TV, events, and digital marketing for over a decade. A dynamic and creative professional, she is known for delivering projects to the highest standard with flair, strategic insight, and boundless energy. Her work has taken her internationally, and she brings a deep appreciation for the artistry and skill behind storytelling, grounded in extensive experience across the creative industries. - [Hannah Gregory](https://setandscene.show/team-profile/hannah-gregory/) - Hannah Gregory brings over 15 years of experience in creative events, festival production and brand experience. Hannah is responsible for managing Exhibitor logistics and will be bringing her love of spreadsheets to the Set & Scene team. ## Categories - [Featured](https://setandscene.show/category/featured/) - [S&S News](https://setandscene.show/category/ss-news/) ## Tags - [sustainability](https://setandscene.show/tag/sustainability/) - [circular economy](https://setandscene.show/tag/circular-economy/) - [production](https://setandscene.show/tag/production/) - [design](https://setandscene.show/tag/design/) - [theatre](https://setandscene.show/tag/theatre/) - [film](https://setandscene.show/tag/film/) - [events](https://setandscene.show/tag/events/) ## article categories - [Funding](https://setandscene.show/article_category/funding/) - [Theatre](https://setandscene.show/article_category/theatre/) - [Featured](https://setandscene.show/article_category/featured/) ## Session Strands - [Celebrating Craft](https://setandscene.show/session-strand/celebrating_craft/) - A deep-dive into the hands-on skills that make worlds feel real. From scenic art and model-making to prop builds, finishes and fabrication. Sessions spotlight process, problem-solving, and the “how it’s made” knowledge that underpins great visual storytelling. - [Emerging Technology](https://setandscene.show/session-strand/emerging_technology/) - A look at the fast-moving tools reshaping design for screen, stage and immersive; from new materials and workflows to digital pipelines that help teams prototype, iterate and deliver at speed. Practical sessions focus on what’s actually useful on real productions, not hype. - [Sustainable Design](https://setandscene.show/session-strand/sustainable_design/) - Conversations and case studies on designing greener worlds: reducing waste, rethinking materials, planning reuse, and making sustainability easier to action across departments. Expect honest discussion on constraints, trade-offs, and what “good” looks like in practice. - [Creative Fusion](https://setandscene.show/session-strand/creative_fusion/) - Cross-discipline sessions built around the show’s core idea: connecting crafts and industries that don’t usually share a room. Expect collaborations between makers, designers and technologists discussing new approaches that happen when screen, stage, retail and immersive learn from each other. - [Brand Storytelling](https://setandscene.show/session-strand/brand-storytelling/) - An exploration of how stories extend into physical space and audience experience. From product placement and spatial design to immersive activations and live experiences, this strand explores how brands are woven into narrative environments. Sessions focus on creative integration, collaboration across disciplines, and the strategic thinking behind building brand worlds that audiences can step into. ## Speakers - [Tahra Zafar](https://setandscene.show/speaker/tahra-zafar/) - With over 30 years of experience of working on live events, theatre, film and television, Tahra Zafar has created award winning costumes, puppets, creatures and extraordinary creations that have become part of our collective cultural memories. Theatre design and Live Experiences: Paddington the Musical, Paddington and Puppet Design, for which she won the Olivier Award Winner for Best Costume Design 2026, and a What’s On Stage award, 2026. Costume Design credits; Eugene Onegin (English National Opera), Gunpowder Plot at the Tower of London, Commonwealth Games Opening Ceremony 2002. Set and Costume Design credits; La Boheme and Rigoletto (Mid Wales Opera) and The Rake’s Progress (Aldeburgh Festival). Costume and Character Design credits; In the Night Garden Live and Bing Live. Film creature and costume effects credits includes: Wild Horse Number 9,The Banshees of Inisherin, The Batman, The Last Duel, Star Wars VII: The Force Awakens, Annihilation, X Men: First Class, Kick Ass, Antman III: Quantumania, Hell Boy 2, The Hitch Hiker’s Guide to the Galaxy, Harry Potter and the Philosopher’s Stone, Lost in Space and The Fifth Element. Children’s TV characters and puppets: In the Night Garden, Zingzillas, The Adventures of Abney and Teal and Moon & Me. Pop promos and tours: The Monster for Lady Gaga’s Monster Tour, Eddie for Iron Maiden, Scissor Sisters for the Brit Awards and the dancing Milk Carton for Blur’s Coffee and TV. Commercials: Tahra created the original Monkey Sidekick for ITV Digital which later became the PG Tips Monkey. Live televised event credits includes: Tahra received a Royal Television Society Award for her role as Head of Costume Hair and Make-up for the 2012 London Olympic and Paralympic Opening and Closing Ceremonies, for which her team delivered 23,000 costumes for the four ceremonies. Tahra trained in Theatre Design at Central School of Art and Design. - [Jack Mainwaring](https://setandscene.show/speaker/jack-mainwaring/) - Jack has been at Flints for over 10 years now, in various roles, client facing, product testing and giving technical advice to Flints’ broad customer base in the arts. Now Product Development Manager, with a keen interest in sustainable materials. Outside of Flints Jack is an artist with a background in sculpture as well as set construction and prop making. - [Amelia Forster](https://setandscene.show/speaker/amelia-forster/) - Amelia is a Director of Granger Hertzog Ltd – a leading contemporary furniture and prop rental company based in London. Amelia has a deep understanding of the client experience and a commitment to developing a hire collection that is innovative and inspiring. She is proud to lead a team of 40 talented and passionate colleagues. Not afraid of change or challenges (both feature heavily in our fabulous industry!). Amelia is excited by opportunities to diversify, and still gets a kick out of spotting GH props on TV! - [Michael Garrett](https://setandscene.show/speaker/michael-garrett/) - Mike worked as a prop maker for over 25 years, The bulk of his career has been in theatre, first in the commercial sector supporting West End shows along with cooperate events, private functions, the Lord Mayor’s Show etc. For the last 19 years he has been managing the prop making workshop at the National Theatre, first as Workshop Manager and now as Head of Prop Making. - [Gavin Gibson](https://setandscene.show/speaker/gavin-gibson/) - Gavin has been Head of Scenic Art at the National Theatre for 14 years, previously serving as Deputy Head. He led the studio’s transition to water-based products, prioritising artist welfare and reducing toxic materials. Aligned with the Theatre Green Book, he integrates safer and more sustainable practices, collaborating with suppliers such as Flints and Graphenstone to develop innovative materials and champion environmentally responsible scenic production. - [Nathan James](https://setandscene.show/speaker/nathan-james/) - Nathan is a construction draughtsperson with over 17 years’ experience in the entertainment industry, bridging creative vision and physical realisation. With a degree in Scenery Manufacture, he ensures design intent is maintained while delivering scenery that is practical, sustainable and buildable. Having worked both freelance and with leading cultural institutions, his background spans carpentry, metalwork, draughting and management. Nathan believes strong technical foundations underpin great visual storytelling and thrives on collaboration, problem-solving and turning ambitious concepts into reality. - [Simon Bowles](https://setandscene.show/speaker/simon-bowles/) - Simon Bowles is an award winning production designer working internationally in film and television with a career spanning more than three decades. His meticulous attention to detail and eye for aesthetics have earned him numerous accolades including four prestigious British Film Designer Guild awards (A Quiet Place Day One, Belle, Hyde Park On Hudson and Johnny English Strikes Again) and a British Arrow award for his commercials designs. His work has been featured in publications including Architectural Digest, The Hollywood Reporter and Variety. - [Kris Turvey](https://setandscene.show/speaker/kris-turvey/) - Kris Turvey has been working as a visual artist in the entertainment industry for over 15 years. He was formerly Chief Creative Officer at Kuato Studios, a multi-award-winning developer of educational video games for children, where he worked on projects with clients including Marvel Studios, Disney, DreamWorks, and The Jim Henson Studio and led a creative adaptation of Enid Blyton’s The Famous Five books in partnership with Hachette, which won the UK Literacy Association Digital Book of the Year 2019. Now a freelance concept artist, he has contributed to major motion pictures such as Dune Part 2 and Dune Part 3, and HETV shows including Dr Who, Renegade Nell and Invasion and is a core committee member of the British Film Designers Guild. Kris has released two tutorials on movie prop design using Autodesk Fusion via the Gnomon Workshop and will be demonstrating techniques from these at Set & Scene. - [Russell Oxley](https://setandscene.show/speaker/russell-oxley/) - Russell Oxley is a scenic artist working in the Film and television industry. Like most scenic artists he accidentally discovered that there was a supplementary way to support his studio practice as a fine artist. This has led to a career of approximately 28 years on and off. He has worked on many major productions including Marvel, Disney, Star Wars and Jurassic World movies. - [Andrea Benson](https://setandscene.show/speaker/andrea-benson/) - Andrea has been working in horticulture for over 25 years, and has been a gardener at Glyndebourne since 2018. Andrea works mainly in the productive garden, growing dye plants, fruit and vegetables, herbs, and cut flowers. She has a particular interest in the ‘useful’ plants, and has been researching and growing dye plants for about 15 years. Andrea established the dye garden at Glyndebourne in 2018, and have been using plant dyes in costumes on stage since 2022. - [Claire Sokol](https://setandscene.show/speaker/claire-sokol/) - Claire graduated from BA Textiles at Goldsmiths in 2005, during this time she developed a curiosity for telling stories through the body and textiles. After graduation Claire discovered a strange and extraordinary branch of costume called ‘textile effects’ – this involves producing effects on costumes such as; mud, blood, slime, diseased skin, vomit – the list goes on! She also dyes and prints fabric and can invent or replicate any textile. In 2012 she took a year of costume to undertake an AHRC research masters in Scenography at CSSD, during this time she explored creative ways to both use and misuse textile application, this lead to a job at National Theatre London where she now manages the textile team. “At the National we creatively challenge textile process on a daily basis and have now began exploring the world of natural dyes. This exciting area of alchemy presented her with new materials and chemicals to master and challenge with sustainability being at the core.” - [Erin Larnder](https://setandscene.show/speaker/erin-larnder/) - Erin is an entertainment marketing and partnerships leader with more than a decades experience across film, television, digital creators, live events and sport. Erin began her career working in art departments on film and television productions, gaining an early understanding of production design and the craft of world-building. That production background now informs her approach to commercial partnerships, working across entertainment, brand and creative teams to build collaborations that authentically connect audiences with brands through the entertainment and cultural IP they care about most. - [Helen Hughes](https://setandscene.show/speaker/helen-hughes/) - Helen was previously Head of Costume Painting & Dyeing at the Royal Shakespeare Company for 25 years. Alongside her work for the RSC she has established two dye gardens, growing & processing plants to dye & print textiles. Helen has recently set up as a freelance Textile Artist with the aim of using natural dyes & pigments both for the theatre & in her own artistic practice. - [Liz Honeybone](https://setandscene.show/speaker/liz-honeybone/) - Liz is a textile artist at the National Theatre and a committed allotmenteer, gardener and textile upcycler (and formerly a Skip Sister), her passion for plants and sustainability has spilled over into her work life where she is part of a dye garden project. She is currently researching and experimenting with natural dyes with the aim of producing dyes and effects as naturally as possible. So far this has involved making leather dyes, documenting the changing colour yields as the seasons change and using food waste from the staff canteen to dye costumes. Using the NTs home grown plants to dye a costume makes her a very happy gardener! - [Lorelle Aboagye](https://setandscene.show/speaker/lorelle-aboagye/) - Lorelle holds a Bachelor of Arts in Illustration and a Master of Arts in Textile Design from Norwich University of the Arts. Her interests focus on visual storytelling, natural dyes, and textile processes and with her own practice she explore west African textiles through weaving. Lorelle’s dedication to preserving traditional West African textiles led her to explore natural dyes and ultimately led her to the National Theatre Dye Garden. There, she encountered a variety of plants, she was particularly drawn to thecindigo . What captivated her most was observing the textile artists at the National Theatre, their commitment to sustainable textile practices, and their willingness to share knowledge about natural dyes. She immediately recogniseed that this was the environment she needed to be in, as it aligns perfectly with her passions and interests. Lorelle aims to utilise her skills developed during the traineeship to contribute positively to the advancement of a sustainable theatre industry. - [Tom Wexler](https://setandscene.show/speaker/tom-wexler/) - Tom is a visual director, artist, and designer and is Head of Design at 59, a Journey studio. He transforms spaces with projection and interactive technologies, creating content and real-time generative visuals for artists like Prince, London Grammar, and Bryan Adams, as well as broadcasts such as the Brit Awards, all powered by custom media servers he designed and built. Tom has served as the lead designer on 59 projects, including Oman and the World: A Musical Journey, the Bob Dylan Centre in Tulsa, Oklahoma, Puccini at The Met, Alf Layla Wa Layla, the Tony and Olivier-winning theatre show Stranger Things: The First Shadow, and most recently, the immersive Lightroom show David Bowie: You’re Not Alone. - [Alison Harvey](https://setandscene.show/speaker/alison-harvey/) - Alison Harvey is a renowned British Production Designer and Set Decorator with over 20 years of experience in film and television. Best know for her meticulous work on The Crown, she has been instrumental in recreating historical settings with exceptional detail. Her craft has earned her multiple honours, including Primetime Emmy, Art Directors Guild, BAFTA, RTS nominations and British Film Designers Guild awards - [Neil Floyd](https://setandscene.show/speaker/neil-floyd/) - Neil Floyd is a Set Decorator and Graphic Designer with almost 20 years experience. He started his film career in Toronto, Canada having studied Film and TV production and worked as a Graphic Designer before moving to London 16 years ago. Since then he’s worked on numerous award winning films and television series as a graphic designer including the HBO mini series Chernobyl and Aladdin. For the past 7 years he has been working exclusively as a Set Decorator. Recent films include A Quiet Place Day One and the upcoming Panic Carefully and Close Personal Friends. - [Susie Carlino](https://setandscene.show/speaker/susie-carlino/) - Susie Carlino’s career grew out of a lifelong intrigue with fabric and how it is used to create the overall atmosphere of a space. After graduating in 1989 from Middlesex University with a degree in Textiles and Fashion, she was quickly enticed by the creative possibilities of textiles and their ability to transform various environments, cementing her love for fabrics and constructed textile design. Susie’s first job after university placed her at the heart of London’s music scene as a barmaid at the legendary Marquee Club in Soho. Through her job, she was given an early look into the power of lighting, staging and atmosphere in live events. That exposure led to a role with Halo Lighting, where she worked as a draping events producer. Collaborating with lighting designers on stage shows such as “The Crazy Club” at the London Astoria, she quickly learned how textiles and lighting could work together to transform empty rooms into immersive spaces. A year on, Susie took the plunge and teamed up with a close friend and graphic designer to launch S.M.Arties (Susie and Mandie Arties), producing decor and installations for rave culture and large-scale events. The work gave her freedom to equipment – creating striking installations that brought shape, atmosphere and texture to every venue. With more than two decades in the events industry, Susie Carlino has built an international reputation for transforming spaces through fabric, light and design. Her work spans weddings, music festivals, corporate events, film premieres and award ceremonies, with clients including the BBC, Claridge’s, Harrods, Glastonbury Festival and the 2012 London Olympics. Alongside her design, consultation and installation work, Susie now shares her expertise through the Creative Draping Academy, where she teaches the techniques behind her craft. An artist, interior designer and event specialist, she approaches every project as an installation, creating spaces defined by texture, atmosphere and imagination. - [Dorrie Young](https://setandscene.show/speaker/dorrie-young/) - Following a degree in Sculpture, Dorrie Young developed a deep appreciation for pencil draughting while attending a short course at Pinewood Studios nearly 25 years ago. For her, it offers the perfect balance between practicality and creativity, combining problem-solving with a strong sense of beauty and craft. Early in her career, she was fortunate to learn from inspiring mentors while working on the Harry Potter films, and was particularly influenced by the exceptional talent of production designer Stuart Craig. Since then, she has worked across both film and theme park design, and is currently based at home contributing to a theme park project. - [Dr Jane Barnwell](https://setandscene.show/speaker/jane-barnwell/) - Dr Jane Barnwell is Reader in Moving Image at the University of Westminster. Graduating from the University of Leeds and the Northern Film School she began her career at the BBC, before working freelance in production. Jane has authored articles in a range of forms and genres including popular magazines, periodicals and websites. Her books include Production Design for Screen; Visual Storytelling in Film and TV (2017), Production Design: Architects of the screen (2004), The Fundamentals of Film Making (2008) and Production Design & the Cinematic Home (2022). She is co-founder of PD-REN (Production Design Research & Education Network) and co-editor of the forthcoming collection Perspectives on Production Design, (UoW Press, Open Access, 2026) a ground-breaking collaboration with authors drawn from practice, research and education. - [Stéphane Collonge](https://setandscene.show/speaker/stephane-collonge/) - Stéphane Collonge is a French-born production designer based in the United Kingdom, working across film and television. His work is known for its psychologically grounded approach to environments and character space, exploring how production design can deepen narrative and emotional context. Collonge has collaborated with a wide range of directors across British and international productions. His long-standing creative partnership with Joanna Hogg includes all of her feature films, among them Unrelated, Archipelago, Exhibition, The Souvenir, The Souvenir Part II and The Eternal Daughter. His production design for The Souvenir Part II received the British Independent Film Award for Best Production Design. Other notable credits include God’s Own Country, Ali & Ava and My Brother the Devil. More recent work includes the Netflix feature Scoop and the comedy series Man vs Baby, directed by David Kerr. Alongside his film work, Collonge is increasingly engaged in exploring production design methodologies that support more efficient and sustainable workflows. Through the use of previsualisation and construction-led visual planning, his practice looks at how early design integration can optimise collaboration between Art Department and construction teams, helping reduce over-build while supporting more sustainable production practices. He is a member of the British Film Designers Guild. - [Helen Johnson](https://setandscene.show/speaker/helen-johnson/) - Helen Johnson is the founder and Managing Director of Talking Point, a UK skills organisation working in feature films and HETV drama. She set Talking Point up in 2011 to provide information and signposting to those looking to break into the industry and those looking to move up a grade. Talking Point has trained thousands of new entrants through a wide range of programmes, focusing primarily on the Art, Set Decorating and Props departments. She also consults on behalf of industry stakeholders, studios and government on skills issues and crew experiences. - [Gaynor O'Flynn](https://setandscene.show/speaker/gaynor-oflynn/) - Gaynor O’Flynn is an artist, campaigner and founder of Beinghuman, a B Corp working at the intersection of creativity, technology and social impact. Her work has featured globally across BBC, C4, Canal Plus, CBS, Nat Geo, Discovery and her music on films and TV including on 2013 Oscar® Winning Argo. She has worked with creative including with Björk, New Order, Stomp and PJ Harvey across film, theatre, TV, performance and immersive art. Based at the Royal College of Art Innovation Lab, Gaynor is a createch innovator who campaigns for creatives rights in the digital age and recognised by BAFTA Connect, BFI Female Founder, Innovate UK, CoSTAR, Audience of the Future & Gamechanger London. - [Will Htay](https://setandscene.show/speaker/will-htay/) - Will Htay is an Artist, Designer and Creative Director, who trained in Theatre Design before working as a Production Designer of commercials, tv as well as working as a Concept Designer and more recently production designing largescale films including Star Wars and Marvel. As part of his practice Will has been involved in developing the mixed reality workflow and toolset NOOR with technologist Federico Cascinelli. NOOR allows designs and digital assets to be experienced as models and 1:1 scale ahead of the final realisation as part of the design and sign-off process, spanning not only film and TV, but any live or digital experience such as theatre, architecture, concerts and artworks to name a few. Alongside Will’s film and TV work he has been developing his own practice as an artist. Will’s focus is storytelling, using old and new technologies to illuminate contemporary themes around ownership and agency. - [Federico Cascinelli](https://setandscene.show/speaker/federico-cascinelli/) - Federico Cascinelli is Co-Founder and Product Owner at Proteus, where he leads the development of NOOR a mixed reality tool designed to support creative workflows across film, TV, architecture and live events. With over 25 years of experience in film and TV and a deep interest in immersive technology, Fed works at the intersection of storytelling and emerging tools, helping designers and directors visualise and realise their creative vision in real time. - [Adam Morley](https://setandscene.show/speaker/adam-morley/) - Adam Morley is Managing Director of the Elstree Immersive Experience and a creative industries sector lead working across film, television and emerging media. Based in Hertfordshire, home to some of the world’s largest film studios including Warner Bros., Sky Studios and BBC Elstree, Adam works at the intersection of industry, education, financing and technology to develop new production models and creative ecosystems. His work focuses on immersive storytelling, digital production and talent development through partnerships with studios, universities and public sector organisations. Adam is currently leading the development of the Elstree Immersive Experience, a new destination for immersive film, television and creative technology. - [Chris Smith](https://setandscene.show/speaker/chris-smith/) - Chris Smith, Co-Founder of BRND, has worked over 18 years across the entertainment marketing landscape. From creating commercial partnerships for one of the world’s top music promoters and entertainment venue owners to now, for over a decade, creating impactful brand alignment with top tier globally recognised film and TV shows. Chris business BRND, is the first product placement platform globally, connecting key production decision makers with luxury and premium brands to create relevance and authenticity with audiences. - [Sara Putt](https://setandscene.show/speaker/sara-putt/) - Sara established Sara Putt Associates in 1989 and has worked here as MD and Agent ever since. In 2021 The Partnership Group was formed between Sara Putt Associates, Sayle Screen and The Artists Partnership to maximise opportunities for all of their clients. Sara is Chair of BAFTA where she has been a Trustee since 2014. Sara is also a Trustee of the Film and TV Charity and sits on the Advisory Board of the British Film Commission. She was previously Deputy Chair of Women in Film and Television where she served on the Board for 8 years. Sara has also produced a number of short films including the BAFTA nominated “Tattoo”. - [Justin Richards](https://setandscene.show/speaker/justin-richards/) - Justin Richards is Operations Director of Greens Team Ltd, the worlds leading Landscape creation company for film and television. Located at Pinewood Studios, Greens Team creates bespoke real-plant landscapes for major productions around the world. Since starting his role in 2010, Justin has overseen all aspects of the business—including plant sourcing and care, logistics of large-scale natural sets, and coordination of horticultural teams for costume-drama gardens, alien jungles, desert flats and woodland terrains. Under his leadership, Greens Team has contributed to high-profile projects such as Starwars the Force Awakens, “Jurassic World: Dominion”, Witcher, Power of the Rings, “Hamnet” 28 Years Later and many of blockbuster shoots currently in production. Justin bridges the worlds of budgets, logistics, landscape creation and film production. His work delivers realistic, immersive environments that help tell stories visually. - [Jason Ahn](https://setandscene.show/speaker/jason-ahn/) - Jason is a London-based lighting designer and studied MA in Light in Performance at Rose Bruford College. His work explores neuroaesthetics in lighting design and performing arts, developed through his book Neuroaesthetic Stage Lighting Design: What Makes Good Light, published by Routledge in 2025. He contributes writing on light and aesthetics to LSi and Live Design. - [Alexander Grant-Said](https://setandscene.show/speaker/alexander-grant-said/) - Alexander Grant-Said is the Creative Manager of Scenic Sets, a family-run scenography studio specialising in sets, models and installations with a Fine Art approach. Having a background in art direction and years of hands-on production experience, he works closely with scenic artists, makers and designers, overseeing ambitious, cross-disciplinary projects across luxury fashion, commercials and television. - [Beth Quinton](https://setandscene.show/speaker/beth-quinton/) - Beth Quinton (she/her) is a scenic artist based in Bristol. She graduated from Bristol Old Vic Theatre school in 2008 and has since worked across the fields of theatre, stop motion animation, live action, retail display and theming. Her film credits include Wes Anderson’s Fantastic Mr Fox, Tim Burton’s Frankenweenie and Chicken Run:Dawn of the Nugget. She has worked on projects for Louis Vuitton, Warner Brothers and Netflix. Beth is particularly interested in painting props and miniatures and in combining digital and hand painted techniques. - [Sarah McCaffrey](https://setandscene.show/speaker/sarah-mccaffrey/) - Sarah McCaffrey founded Solas Mind to provide professional wellbeing support tailored to the demands of the creative sector. As a registered psychotherapist (MBACP) and trainer, Sarah understands the pressures of high-performance environments and the importance of mental resilience in the workplace. Today, Solas Mind is a specialist wellbeing service providing confidential, same-day mental health support delivered by fully qualified, accredited professionals. Born in the heart of the film and TV industry, Solas has grown into a trusted partner across screen, creative, sports and charitable sectors. With a team of over 100 wellbeing professionals based in more than ten countries, Solas provides support in the UK and internationally for all the leading film and TV studios. With offices at Warner Bros and Pinewood Studios, they’re on a mission to make mental health support accessible, compassionate, and stigma-free in every workplace. - [Paul Nicholls](https://setandscene.show/speaker/paul-nicholls/) - Paul Nicholls is a BAFTA and EMMY Award-winning director. He gained a first class Masters in architecture at The Bartlett UCL in 2011 before going onto co-found Factory Fifteen, where he acts as CEO and Chief Creative Officer. Over the past 14 years (through the alias of Factory Fifteen), Paul has directed films, animations, and experiences seen the world over. He is represented commercially by Nexus Studios. Notable directorial highlights include the BBC Tokyo Olympics advert for the BBC, which was shot across Tokyo and London and included world class animation and VFX design, crafting several films for the now infamous UFC-306 at the Vegas Sphere, (the world’s most technologically advanced venue and largest indoor immersive screen), The International Woolmark Awards Show 2018, where he combined interactive media, immersive spectacle and considered exhibit design into one unforgettable fashion show, an immersive Holiday Joyride for Kia Cars and St Jude’s Cancer Research Hospital, transporting children from their hospital to the north pole, designing the future of the UAE for Dubai Expo in the form of an interactive Mirage among many others. - [Emma Tompkins](https://setandscene.show/speaker/emma-tompkins/) - Emma Tompkins is a set, costume and puppetry designer for theatre and a design education facilitator. Emma’s ongoing interest in Neuroaesthetics — shaped by a design career and self-directed study, including nervous-system–focused methods used during recovery — informs a practical, empathic approach to design. Emma aims to translate design and scientific ideas into usable processes for makers and students. - [Anna Reid](https://setandscene.show/speaker/anna-reid/) - Anna is a designer for stage based in London. Her theatre credits include For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy (Royal Court + West End), Accidental Death of An Anarchist (Lyric Hammersmith + West End), The Shitheads (Royal Court Upstairs), The Ministry of Lesbian Affairs (Kiln Theatre), and Macbeth for the Royal Shakespeare Company. Her opera credits include Opera North’s Simon Boccanegra which won the Sky Arts Award for opera in 2025, the 2024 Jette Parker double bill Larmes de Couteau / Full Moon in March (Linbury Studio, RBO) and she made her Bregenz festival debut in 2025 with La Cenerentola. My website is: https://www.annareiddesign.com/ My instagram handle is: annareid.design https://www.instagram.com/annareid.design/?hl=en - [Christopher Melgram](https://setandscene.show/speaker/christopher-melgram/) - Christopher Melgram is a Production Designer based in East London. A graduate in Design and Art History from The Glasgow School of Art, his early career began in the traditional world of television period drama and studio pictures, developing his craft working for notable designers such as Sonja Klaus, Sarah Greenwood and Katie Spencer. Becoming a Designer in his own right, Chris pivoted into the adjacent world of fashion and TV commercials working internationally for brands such as Mercedes, Hermes & Apple as well as bringing to life both personal and fashion projects for Tim Walker. His evolving visual style can be found in his latest design projects, Mr Loverman series one (BBC), Femme, (Agile) and Ear For Eye (Fruit Tree Media) all of which have received critical acclaim. The heart of Christopher’s practice is the idea of collaborative problem solving, marrying traditional techniques with innovative technology, allowing him to draw from a rich tapestry of inspiration to create environments that are both familiar and otherworldly. - [Hayley Miller](https://setandscene.show/speaker/hayley-miller/) - Hayley Miller is the Founder of World VFX Day, a global initiative launched in 2023 to champion the visual effects and animation industries and drive meaningful, lasting change. Held annually on 8 December via YouTube livestream, World VFX Day is supported by more than 460 studios and companies, alongside thousands of individual professionals, students and industry fans worldwide. With over 14 years of experience in marketing and communications, Hayley has worked across the entertainment and technology sectors, spanning cinema, live events, music, and film and television. Since 2019, she has specialised in visual effects and animation, holding roles at leading studios including Pixomondo, MPC/Technicolor Studios, and Territory Studio. Hayley is also the Founder of Work of Mind, a boutique consultancy focused on marketing and PR for the entertainment and technology industries. - [Vincent Woods](https://setandscene.show/speaker/vincent-woods/) - Vincent Woods is a British producer and studio executive with extensive experience in developing and delivering major film and television studio facilities in London. With a background in commercials and independent film, he has overseen a wide range of productions across both film and TV. In 2024, Vincent was appointed Head of Studios at Troubadour Studios working across our two north London sites. He has played a central role in the redevelopment of Troubadour Brent Cross Studios, transforming the former Toys “R” Us building into a premium, full-service film and television facility, including sound stages, workshops, production offices, and creative spaces. In 2025, Vincent was closely involved in the acquisition of Jellyfish Pictures, the award-winning VFX company behind projects such as Rogue One, Black Mirror, Lee, The Creator, and Stranger Things Season 4. The company has since re-established itself in mainstream film and television VFX, now based in Soho. Vincent’s focus is on integrating new technologies with high-quality studio environments to better support the evolving needs of film and television production. - [Holly Stepp](https://setandscene.show/speaker/holly-stepp/) - Holly Stepp is the Project Archivist working with the David Bowie Archive at The V&A, based at V&A East Storehouse. She is currently completing her postgraduate diploma in Archives and Records Management at The University of Dundee, and has worked with IWM, The Barbican, The Museum of Youth Culture, and community archives including the Queer in Brighton Archive and Planet Bethlehem Archive. Her research interests are focused on musical subculture and fandom in Britain and Ireland from 1945 to 1990. David Bowie Archive Bio The David Bowie Archive was acquired by the V&A with support from the Blavatnik Family Foundation, Warner Music Group, and Jones/Tintoretto Entertainment Company. It was collected by David Bowie and contains 90,000 items, including paper items such as sketches, writings, lyrics, and photographic prints; and 3D items such as costumes, musical instruments, props, and set models. All book, paper and photography material are available to view by appointment in the Bowie Study Room at V&A East Storehouse. Archive appointments are available on Thursdays and Fridays from 10.00 – 17.00. All visits are by appointment only and require 2 weeks’ notice. - [Olly Williams](https://setandscene.show/speaker/olly-williams/) - Olly Williams is a multidisciplinary Art Director working across medium to high budget feature films and high-end television in the UK and internationally. His credits include Bohemian Rhapsody (for Aaron Haye), Silo Season 1 (for Gavin Bocquet), and Ridley Scott’s Gladiator 2 (for Arthur Max). Most recently, he has worked as Senior Art Director for Nigel Phelps and has just finished Eloise at the Plaza (Production Designer: Gemma Jackson, Director: Amy Sherman-Palladino). With over a decade of experience in the film industry, Olly specialises in the design and delivery of complex sets and props, operating at the intersection of concept, draughting, and fabrication. Alongside his core practice, he has developed a strong interest in the integration of emerging technologies—topically AI-driven workflows—within the art department, exploring how they can augment ideation, visualisation, and production efficiency without displacing the craft and collaboration that underpin the discipline. Olly is a Core Committee member of the British Film Designers Guild (BFDG), continuing a family legacy—his grandfather, Lawrence P. Williams, was the BFDG’s founding president and Production Designer of David Lean’s Brief Encounter. Through the Guild, Olly is actively involved in mentoring and training emerging talent, as well as contributing to discussions around the future of the department, including the ethical and practical implications of AI in filmmaking. He has worked extensively in the UK, Malta, Hungary, and beyond, and enjoys the challenge of building art departments in regions with developing production infrastructure. Outside of his department work, Olly is an independent filmmaker, having written multiple feature scripts and directed the multi award-winning Adira’s Dream (2017). While cautious of the potential impact of AI on established crafts, Olly sees opportunity in its responsible use—particularly in expanding access to high-level visual storytelling tools and enabling new voices within the industry. In his spare time, he enjoys photography and drawing, including his “sketch a day” project. - [Alexandra Walker](https://setandscene.show/speaker/alex-walker/) - Alexandra Walker’s career in British cinema as both a Production Designer and Art Director has spanned almost three decades. Highly accomplished, her credits include three HARRY POTTER films, for which her work as part of the team behind THE ORDER OF PHOENIX was recognized with a nomination for Excellent in Production Design at the Art Directors Guild Awards. Alexandra had also collaborated with two major auteur Tim Burton on FRANKWEENIE and Wes Anderson on FANTASTIC MR FOX. As a designer, her earlier credits include Christopher Payne’s Raindance winner and BIFA nominee LOVE TOMORROW, followed by 2014 Un Certain Regard nominee SNOW IN PARADISE with director Andrew Hulme. Her other notable designer credits include Simon Aboud´s feature THIS BEAUTIFUL FANTASTIC which was nominated for The Michael Powell Award for Best British Feature Film at 2017 Edinburgh Film Festival, LET ME GO directed by Polly Steele, Emily Harris’ debut feature CARMILLA, and Netflix’s & Nexus’ animated dark comedy THE HOUSE for which Alexandra was nominated for Outstanding Achievement for Production Design at the 2023 Annie Awards. Alexandra designed the THE MAGIC FARAWAY TREE directed by Ben Gregor. - [Christina Moore](https://setandscene.show/speaker/christina-moore/) - Christina is an award-winning production designer working internationally. With a background in architecture she worked as a supervising art director on large scale productions such as Game of Thrones before switching to production design. Her recent film credits include The Salt Path (2025), Mother, Mother (2024), One Life (2023), The Unlikely Pilgrimage of Harold Fry (2022) and Summerland (2020). Research is at the very heart of production design and is fundamental to the discovery of character and place. It is what grounds the narrative in a believable reality, whether that comes from something fantastical or from the recreation of historical events. - [Michaele Apostolides](https://setandscene.show/speaker/michaele-apostolides/) - As Co-Founder and CEO of CAMA, I lead our mission to bring the circular economy to the creative industries. We achieve this by combining secure, sustainable storage with our bespoke asset management platform, designed specifically for film and TV productions. The industry has a growing need to reuse, repurpose, and recycle sets, props, costumes, and office furniture. By responding to this demand, we are at the forefront of sustainable innovation. A proud milestone in this journey has been the development and successful launch of AssetFlow, our sophisticated collaboration software that makes tracking and managing assets simple, secure, and highly efficient. - [Michelle French](https://setandscene.show/speaker/michelle-french/) - As Director and Co-Founder of the CAMA I focus on driving our outreach and building strong industry relationships. I specialise in forging strategic partnerships and collaborations across the creative industries, construction, and charity sectors. My true passion lies in connecting people and combining our shared talents to create practical, long-term solutions for sustainability. By working closely with our partners, I help productions champion the circular economy and ensure the responsible, cost-effective reuse of assets, products, and materials. - [Ray Winkler](https://setandscene.show/speaker/ray-winkler/) - Ray Winkler is a UK-registered architect. He is the CEO and Design Director at STUFISH Entertainment Architects. He began his design career as a carpenter and craftsman. He earned his Master of Architecture from University College London becoming interested in stage design and mobile architecture during his postgraduate studies at SCI-Arc in Los Angeles California. Ray has always been drawn to the unique, ephemeral and transformative nature of entertainment architecture. Ray has devoted more than twenty-five years to designing live touring shows, theatrical projects and spectacular one-off productions such as the London 2012 Handover at the Beijing 2008 Olympics Closing Ceremony, as well as live TV shows for MTV, VH1 and other TV channels in the USA and the UK. He has collaborated with renowned artists such as U2, Beyoncé, Dave, the Rolling Stones, Benson Boone, BlackPink, Robbie Williams, and Cirque du Soleil to name a few. He has also worked extensively in Japan with artists such as Mr Children, Ai, Yumi Matsutoya, Bz, Universal Studios Japan, Himuro, Arashi and Naniwa Danshi. Ray’s high-profile projects include; Adele in Munich, which set a Guinness World Record for the world’s largest LED screen and won the 2025 TPi Award for Outstanding Production, alongside major international productions such as F1 75 Live at The O2, the Formula 1 Heineken Silver Grand Prix Opening Ceremony, the Global Citizen Festivals, including Amazônia, one of the most sustainable and lowest-impact large-scale events ever staged in South America, the UEFA Opening Ceremonies, the NFL Europe Halftime Shows, and the 2025 NFL Trophy Ceremony. His extensive touring and live event credits also include Adele’s ‘Weekends with Adele’ residency at The Colosseum in Las Vegas, Elton John’s Farewell Yellow Brick Road tour, AC/DC’s PWR tour, Take That’s This Life tour, Beyoncé’s Renaissance tour, One Direction’s 2014 world tour, Lenny Kravitz tour, Nicolas Tse Live, Andy Lau’s world tour, Dragon Quest Live, and The Rolling Stones’ Hackney Diamonds tour. One of his most high-profile and innovative projects was the ABBA Arena, which hosts the groundbreaking ABBA Voyage show featuring digital avatars alongside a live band. This state-of-the-art, demountable arena with a capacity of 3,000 opened in Queen Elizabeth Olympic Park, London in May 2022. It offers a unique experience where physical and digital realms seamlessly merge. Ray’s exceptional artistic ability and creative flair, coupled with his strong leadership skills, ensure that every project is delivered to the highest standards. In January 2023, he was appointed William Henry Bishop Visiting Professor at the Yale School of Architecture, where he led the ‘Advanced Design Studio: The Future of Entertainment”. Through STUFISH’s permanent entertainment venues in China, the new ABBA Arena in London, and numerous live shows, Ray continues to explore the multifaceted world of entertainment architecture. - [Ella Nevill](https://setandscene.show/speaker/ella-nevill/) - Ella is Head of Strategic Growth at AssetFlow (part of the CAMA Group). Her work centres around scaling up AssetFlow’s technology services and supporting productions and studios (including Universal, Amazon, and Netflix) with asset management and circularity. Ella’s background is in ClimateTech, delivering decarbonisation programmes for the public sector and SMEs. She studied Human, Social and Political Sciences (BA Hons) at the University of Cambridge and specialised in Social Anthropology, particularly the intersection between economics and the environment. Ella blends these experiences into this role by ensuring that AssetFlow’s work aligns with a more circular economy. Through this work, Ella is also a proud member of The Production Guild of Great Britain’s Sustainability Working Group as well as ReLondon’s Circular Economy Community. - [Sara Turnbull](https://setandscene.show/speaker/sara-turnbull/) - Sara Turnbull focusses on establishing and transforming a wide range of social enterprises in the community, environment and creative sectors. Sara is currently Executive Chair of ReStage, a Non-Executive board member for Transport for London, a Trustee of Natwest’s Social and Community Capital charity and Vice Chair of Groundwork Wales. She is also the founder and Director of WorkWild one of the UK’s highest scoring B-Corp. Sara is the co-author of ‘Better Off Working Wild’ and dreams of finding a piece of land for the 200 trees she is growing. - [Eric Carney](https://setandscene.show/speaker/eric-carney/) - Eric Carney is a three-time Emmy Award–winning VFX Supervisor, known for his work on Game of Thrones and as Co-Founder of The Third Floor. He collaborates closely with directors and producers to plan and deliver complex VFX-driven sequences. With over a decade of experience in motion capture and virtual production, Eric integrates cutting-edge workflows into every project. He is also the creator of Cyclops AR, a tool that visualizes CG assets in real time through an iPad camera. - [Jamie Lapsley](https://setandscene.show/speaker/jamie-lapsley/) - Jamie Morgan Lapsley is a British production designer celebrated for her innovative and immersive designs across film, television, and commercials. Splitting her time between London and Scotland, Jamie’s career encompasses many award-winning projects such as the TV shows “Bodyguard”, “Fearless”, and “Murdered for Being Different”, as well as features such as “Out of Darkness” “Skeletons”, “Shell”, and “Tommy’s Honour”. Her advertising portfolio includes collaborations with Marvel, Aldi, Lego, Google, HP, Cadbury and Sony. A two-time winner of best production design for short form work at the BFDG, she is also member of AMPAS Production Design Branch. - [Danny Lennon](https://setandscene.show/speaker/danny-lennon/) - Danny and Agnes Lennon started Footprint Scenery 21 years ago with the aim of improving sustainable practices in the entertainment industry. The starting point for our practice is working from a building with low carbon impact. All the energy we use to produce our work comes from 100% renewable energy (around 40% of which is supplied by solar panels on the roof of our unit). Our vehicles are 100% electric and our team can freely charge their electric vehicles too. We refrain from using solvent based paints and have been developing a waste water cleaning system in our workshop to cut down our water consumption and to prevent plastic-based paint waste escaping into our waterways We use sustainable materials when and where possible and remain competitive, cost-wise, while doing so. We are fervent supporters of Theatre Green Book and Danny chaired the ABTT Sustainability Committee in 2024 and 2025. Danny and Agnes have widely contributed to the ongoing conversations around sustainability in our industry hosting symposiums and talking at events. Danny teaches sustainable scenic construction at GSA (Guildford School of Acting) and has contributed to academic papers on the subject of sustainability in theatre. - [John Moolenschot](https://setandscene.show/speaker/john-moolenschot/) - With over thirty years of hands-on experience in the industry, John Moolenschot has built a reputation as a visionary leader in set design and construction. He is the Founder and Director of Cineco Ltd, a UK-based firm specialising in set design for Film, TV, fashion, and commercials. John started his career as a carpenter and progressed through roles in construction management, John’s journey is a testament to his commitment to excellence and adaptability within a constantly evolving sector. Under John’s guidance, Cineco has played a pivotal role in creating immersive worlds for acclaimed productions such as The Magic Faraway Tree, Black Mirror, and Apple TV’s Silo series. Their portfolio extends to collaborations with leading fashion brands including Lacoste, Loewe, and Burberry, demonstrating Cineco’s versatility and attention to detail across diverse creative fields. John is passionate about advancing industry standards, with a particular focus on sustainability and exceptional service. - [Paul Galloway](https://setandscene.show/speaker/paul-galloway/) - Paul Galloway’s career began in his grandfather’s shed in Liverpool, where an early fascination with making quickly evolved into a formal carpentry and joinery apprenticeship. With a solid grounding in craft and construction, he went on to expand his creative skillset, studying graphic design in Wigan before moving to Bristol to complete a degree in 3D Design. Based in a city with strong ties to film and television, Paul naturally progressed into art direction and production design. He spent several years at Aardman Animation, designing and art directing commercials, alongside work for the BBC on docudramas. He also returned to Liverpool for a two-year stint on Hollyoaks, further developing his experience in television production. Driven by a passion for creating original work, Paul co-created the children’s TV series Bottom Knocker Street, which was commissioned by CiTV for 52 episodes. As production designer, he brought the entire world of the show to life, marking a significant milestone in his career. In 2015, Paul joined Amalgam, where he project and account managed across exhibitions, display, and film and television projects. After six years, he transitioned to freelance work in 2021, returning to the wider film and TV industry with a focus on construction management. Today, Paul works as a Construction Manager across a range of high-profile productions, including I’m a Celebrity…Get Me Out of Here!, collaborating with companies such as Supersets and alongside production designer Michael Ralph on Christmas Karma (2025). He is currently part of the team at Johnny Mann Scenic Ltd, working between Bristol and Gloucester, where he continues to build a reputation for combining hands-on craft, design insight, and leadership across complex scenic projects. At the heart of Paul’s work is a lifelong commitment to making – bringing together practical skill, creative thinking, and a collaborative approach to deliver ambitious work across screen and live environments. - [Luke Hatfield](https://setandscene.show/speaker/luke-hatfield/) - Luke Hatfield has a career spanning over 20 years. Following a successful tenure as a re-recording mixer at some of the UK’s leading post-production facilities, Luke started working with Vaudeville in 2012 and joined permanently in 2019 as the company’s Group Head of Sound. Over the past five years, he has spearheaded the company’s global immersive division, collaborating with Google and other leading technology companies on the research and development of immersive formats. Positioned at the forefront of psychoacoustics and spatial audio innovation and its potential across live, experiential, and entertainment sectors, Luke has contributed to Apple’s groundbreaking documentary series Adventure for Apple Vision Pro, alongside a range of high-profile projects and programmes currently awaiting release. - [Nadia Lakhani](https://setandscene.show/speaker/nadia-lakhani/) - A graduate of Wimbledon School of Art with a BA in Theatre Design and an MA in Performance Design and Practice from Central St Martins Nadia has mainly designed for site-specific work and community-based projects that have involved more than just design. As Design Skills Manager within the National Theatre Skills Centre, Nadia delivers The Linbury Prize for Stage Design and a range of courses and initiatives focused on stage design and the related disciplines of scenic art, prop making and costume. - [Paula Benson](https://setandscene.show/speaker/paula-benson/) - Paula Benson is the founder and editor of Film and Furniture, the leading online platform and podcast exploring furniture, lighting and interiors in film and television. Through detailed editorial and industry interviews, and curated marketplace, it has become a trusted resource for design-conscious homeowners, film fans and the film industry. With over 30 years in design as a Partner at Form®, Paula brings a sharp, informed perspective to how objects shape storytelling on screen. She is known for connecting cinematic interiors with real-world design history and sourcing. Her specialist subject is the work of Stanley Kubrick. She is responsible for reintroducing the Hicks Hexagon carpet from The Shining to a contemporary audience, as the sole supplier of the officially licensed version to the public. Paula speaks internationally on design in film, with a focus on how furniture communicates character, status and meaning. Her forthcoming book on design on screen will be published in early 2027. - [Agnes Lennon](https://setandscene.show/speaker/agnes-lennon/) - Agnes Lennon is founder and co-owner at Footprint, Agnes background is in performance having moved to London from Salzburg in the 90s Agnes studied at London Contemporary Dance and then became a costume designer and maker Before starting Footprint Agnes worked in the wardrobe departments at the National Theatre and RBO (formerly the Royal Opera House) Today Agnes leads Footprint together with Danny championing sustainable practices. - [Steve Wotherspoon](https://setandscene.show/speaker/steve-wotherspoon/) - With over 27 years of experience in the film industry, Steve has successfully managed numerous workshops and mould rooms, serving as both a mould maker and prop maker for various props and costumes. He specialises in intricate and unconventional castings that present challenges, such as those requiring great detail or featuring awkward shapes and sizes. His portfolio includes credits for Harry Potter, Star Wars, DC, and Marvel as well as many other films and television programmes (with close to 100 in total). - [Blair Barnette](https://setandscene.show/speaker/blair-barnette/) - Production Designer Blair Barnette is a passionate advocate for circular design and sustainable practices. She has worked globally across BAFTA and EMMY nominated motion film and television productions alongside renowned directors such as Lynn Ramsey, Jim Sheridan, Ben Wheatley, Eduardo Sanchez, and Lisa Gunning. Her commercial work spans fashion, home decór, and developing promotional platforms with a bold visual identity for strong female and gender-fluid artists. Blair’s earliest work was as a scenic designer for NYC off-Broadway theatres and independent operas, transitioning into many years crafting chargehand scenic art and puppetry for Henson Studios, Sesame Street, and Nickelodeon. Outside broadcast media, Blair also creates large interactive environments from recycled materials and live foliage and shows privately as a fine artist. Blair is a member of BAFTA and the Television Academy, the previous Chair of the British Film Designers Guild, a committee member of Europe’s Artscenico and a member of Women in Film and TV. - [Jo Kotas](https://setandscene.show/speaker/jo-kotas/) - Jo Kotas is Co-Founder & CEO of USED Creative often described as the “Vinted for the creative industries” — the circular marketplace unlocking the reuse of sets props and production furniture across film, TV, fashion, events and retail. With 28 years’ experience as a creative and entrepreneur including roles at the BBC and Sky Creative, she brings deep sector expertise and industry insight. Having witnessed first-hand the scale of waste embedded in production, she is now building the infrastructure to unlock a circular economy for the global creative industries. - [Tin Brown](https://setandscene.show/speaker/tin-brown/) - Tin Brown is Co-Founder & Chief Creative Officer of USED Creative — often described as the “Vinted for the creative industries” — the circular marketplace unlocking the reuse of sets props and production furniture across film TV fashion events and retail. With 30 years’ experience as a creative director brand builder and entrepreneur — from theatre backstage to Tokyo and the boardrooms of Sky Creative — he brings a rare combination of creative industry depth and entrepreneurial edge. Having spent his career inside the productions that generate the waste he is now building the infrastructure to make circular creative production the industry default not the exception. - [Samantha Speirs](https://setandscene.show/speaker/samantha-speirs/) - Samantha is a London-based agent in Production Arts at United Talent Agency (UTA) representing Heads of Department in the narrative space. She has a background in physical production across film and television. - [Kathy Heaser](https://setandscene.show/speaker/kathy-heaser/) - Kathy Heaser is a Senior Art Director with credits on more than 50 feature films across the Art and Graphics departments. Alongside her work in the Art Department, Kathy works to improve conditions for crew within the industry. She co-founded the Graphics Union and later founded Filmbase, a platform designed to make crew roles more accessible and to support a more transparent, inclusive approach to recruitment. Through this work, she continues to advocate for crew wellbeing, including more sustainable working practices and job-sharing opportunities. Kathy is also an active member of the Bectu Art Department Branch Committee and has been involved in the Bectu–PACT negotiations, campaigning for more viable working hours for off-set crew. - [Leigh Took](https://setandscene.show/speaker/leigh-took/) - Leigh Took is a British visual effects artist, matte painter, and miniatures supervisor known for traditional oil-on-glass matte painting and practical miniature effects across a career spanning more than four decades in film and television. He began his career in 1978 at Pinewood Studios, starting as an apprentice in the matte department under mentor Cliff Culley, where he spent a decade immersed in traditional matte painting techniques standard at the time, progressing from basic tasks to full glass shots for projects such as Warlords of Atlantis (1978), Octopussy (1983) and Reilly: Ace of Spies (1983). Later Leigh worked as a freelance artist on Baron Munchausen (1988), with Derek Meddings on Batman (1989) and Neverending Story 2 (1990) and on Wim Wenders’ Until the End of the World (1991) and Faraway, So Close! (1993). These traditional matte painting techniques involved detailed hand-painting of scenes directly onto large sheets of glass to create illusions of environments, landscapes, or architectural extensions. This approach relied on optical compositing methods to integrate painted elements with live-action footage. Today Leigh is recognised as one of the few active professionals applying traditional matte painting methods in contemporary projects. His mattes are either hand-painted on glass for in-camera shooting, or hand-painted on opaque surfaces for post-production digital compositing. Recent applications include traditional matte paintings composited digitally for sequences in recent films The Testament of Ann Lee (2026) and The Electrical Life of Louis Wain (2021), and in-camera glass shots for Operation Fortitude (upcoming) and promotional film League of Legends:’Wild Rift’ (2022). In the early 1990s, he established Mattes & Miniatures Visual Effects Ltd., a facility based at Bray Studios for 25 years dedicated to practical effects including traditional matte painting, model making and miniature construction. Through his company, Took has supervised miniatures and effects for major productions such as The Da Vinci Code (2006), The Wolfman (2010), Dark Shadows (2012), House of the Dragon (2022), and Beetlejuice Beetlejuice (2024), maintaining a preference for in-camera methods as digital workflows became dominant. The company now based in Holyport, Maidenhead thrives thanks to recent surges in interest in analogue/digital hybrid approaches, and maintains a dedicated matte studio alongside model and special effects workshops. - [Dr Xristina Penna](https://setandscene.show/speaker/dr-xristina-penna/) - Dr Xristina Penna is a performance designer, researcher, and educator. Programme Leader for Production Arts: Props, Painting, and Set at the Royal Central School of Speech and Drama, her research explores how performance design and practice can be informed by neuroscience theories of human consciousness and cognition to facilitate collaborative thinking through audiences, space and materials. Her practice explores material experimentation, deliberately inefficient aesthetics, audience interaction, and collaborative making through performance installations she describes as ‘contraptions’. She is currently Co‑Convener of the Scenography Working Group for the Theatre and Performance Research Association (TaPRA) and Creative Lead for the Making, Unmaking, Remaking Workshops and Talks Programme for the Society of British Theatre Designers’ UK National Exhibition, Design | Stage. - [Russell de Rozario](https://setandscene.show/speaker/russell-de-rozario/) - Russell de Rozario has been a production designer in the film industry for over 35 years. His credits include Hitman’s Bodyguard, Kick- Ass, Jolt, Argyll, Angel has fallen, and Xmen to name a few. His recent short film, This Damnation has which he wrote and directed, has won many awards and received much critical acclaim. He lives in London, UK. - [Clare Carter](https://setandscene.show/speaker/clare-carter/) - I originally studied Fashion and Textiles at College in Bath and then completed a year at Bristol Old Vic Theatre School studying costume. I then went on to work in tv and at Bristol Old Vic Theatre, before coming to the National Theatre as a Textile Artist. Over the years we have worked on many productions that have required every textile effect, from mud ladened armies to beautiful screen printed fabrics, through to blood , sweat and vomit! We are constantly experimenting to produce new effects but to also become more sustainable. We have just had our first year growing, harvesting and experimenting with dyes from our natural dye garden, where we hope to incorporate naturally dyed fabrics into the shows at the National. I’m a keen gardener so this past year of experimenting has been a joy! - [Jack Hollins](https://setandscene.show/speaker/jack-hollins/) - Jack Hollins is a co-director of Key Greens Productions Ltd, a UK-based company specialising in landscape creation and set dressing for the film and television industry. Since co-founding the company in 2022, Jack has helped establish Key Greens as a trusted creative partner on major productions for studios including Disney, Universal Pictures, Netflix and Apple TV. With a strong background in film set landscaping and greens work, Jack brings extensive hands-on experience in delivering naturalistic environments that enhance storytelling on screen. His expertise spans horticulture, set dressing, and large-scale environmental design, contributing to the creation of immersive, visually striking sets. At Key Greens, Jack plays a central role in overseeing projects from concept through to execution, working closely with production designers and art departments to realise complex creative visions. Under his co-leadership, the company has built a reputation for high-quality craftsmanship, attention to detail, and a collaborative, solutions-driven approach within the industry. - [Adam Smith](https://setandscene.show/speaker/adam-smith/) - Adam Smith Adam Smith is an award-winning director with over 30 years working across feature film, television, documentary, music video, and live visual performance—pioneering the intersection of music and moving image. Smith has collaborated with The Chemical Brothers since their first gig in 1994, creating the surreal visuals that define their legendary live shows. The Guardian dubbed it “an all-round aesthetic explosion”; he’s known as “the third Chemical Brother.” His 2012 concert film Don’t Think won Best Live Film at the Music Video Awards. In 2024, his visuals appeared at the Vegas Sphere, Royal Albert Hall, and the V&A. He is currently Visual Creative Director for TOMORA, overseeing videos, artwork, and live visuals. In development solo show and film — part performance, part keynote — The Chemical Years debuted at Edinburgh Festival in 2025 and traces Smith’s journey from squat raves to sold-out arenas, woven around iconic visuals made for The Chemical Brothers. Smith’s directing credits range from The Streets Blinded by the Lights music video, the first series of Channel 4’s groundbreaking drama Skins, BBC Dickensian period drama, Little Dorrit (Emmy award winning), the introduction of Matt Smith as Dr Who to feature film Trespass Against Us starring Micheal Fassbender & Brendan Gleeson. Smith began making visuals for raves as a teenager with his collective Vegetable Vision. Three decades on, his work remains technologically ambitious, emotionally resonant, and unmistakably human. - [Dec Hardy](https://setandscene.show/speaker/dec-hardy/) - A graduate of the AUB Production Design BA, Dec began his career blending traditional craft with digital precision as a carpenter and 3D modeller. From the art dept skillset trainee scheme to the fabricating action vehicles on the Star Wars franchise, his journey has spanned the full spectrum of the industry—encompassing art dept., stand-by props & art, prop & vehicle fabrication, and construction. Currently a Construction Manager at Cineco, Dec specializes in high-detail commercial builds, prop makes and live activations. By merging a background in major film franchises with the agility required for technical, fast-turnaround projects, he is dedicated to evolving the craftsmanship that defines the industry’s future. - [Andrew Patrick](https://setandscene.show/speaker/andrew-patrick/) - Andrew Patrick is a Business Development Manager for MacFarlane Manufacturing with a strong focus on building strategic relationships, identifying growth opportunities, and driving new revenue. Andrew has spent most of his career in the printing, graphic arts and packaging industry. Known for a collaborative approach, Andrew works closely with internal teams and clients to deliver long-term value, sustainable products, and business growth. - [Jo Riddell](https://setandscene.show/speaker/jo-riddell/) - Jo started her career in the Art Department in 2002 and has settled firmly in to the role of Supervising Art Director. She has extensive experience of working internationally, managing Art Departments on multiple award winning HETV and Film productions alongside many acclaimed Production Designers. Her recent credits include The Magic Faraway Tree, True Detective: Night County and Tetris. Alongside her career in the Art Department, Jo has recently joined the team at Rosco Digital Imaging and now works with productions across the UK and Ireland to create bespoke full service background solutions. - [Gina de Ferrer](https://setandscene.show/speaker/gina-de-ferrer/) - In her 35-year career Gina de Ferrer has worked on more than 40 films, providing specialist research for production designers, set decorators, costume designers, directors, producers and other creatives to help them develop and express their stories. From creating an alien language for Ridley Scott’s ‘Prometheus’, to interviewing politicians such as Tony Blair for a political drama, to generating ideas for alien planets in Star Wars, Gina has delved into a vast range of subjects from the ancient past to the far future. - [Dominic Baker](https://setandscene.show/speaker/dominic-baker/) - Dominic Baker is the Co‑Founder and Technical Director of The Production Family Limited. Alongside business partner Ian Moore, he has built the company into a leading production partner across multiple sectors of the live entertainment industry, including the development of an in‑house workshop and technical department at their North London base. With extensive experience as a Technical and Production Director, Dominic has delivered projects globally across theatre, exhibitions, live events, IP‑led experiences, immersive attractions, escape rooms, and cruise‑based entertainment. His portfolio includes the successful technical delivery of high‑profile, large‑scale experiences such as Harry Potter: Visions of Magicacross Europe, Asia, and the Americas; SAW: The Immersive Experience (PATH, London); The Witcher Maze (Netflix, London); and the MSC Ocean Cay Lighthouse Show for MSC Cruises in the Bahamas. Recent work includes leading all production and technical delivery on The Deal (Dreamawake/CMG), a large‑scale immersive, multi‑room theatrical experience in Shenzhen, China, as well as the launch of a new interactive exhibition at the Royal Museums Greenwich, Astronomers Take Over. Dominic thrives in high‑paced, complex environments, with a particular strength in integrating technical, scenic, and production disciplines to deliver ambitious, world‑class live experiences. - [Matt Myatt](https://setandscene.show/speaker/matt-myatt/) - Matt Myatt is a Senior Live Experience Producer working in the experiential & immersive industry with a background in live music, club culture, freestyle sport & radio broadcasting. Matt has continued over the last two decades to develop extensively in the creative brand world, producing for the likes of Netflix, Channel 4, IKEA, Range Rover, Vodafone, Stella Artois & Amazon Prime. He worked on brand activations and immersive events for The Witcher, The Boys and Stranger Things. You can listen to Matt live every Friday lunchtime on his Soho Radio show ’Never Dug Disco’ or monthly Mondays on One Jazz. - [Luke Freeborn](https://setandscene.show/speaker/luke-freeborn/) - Luke Freeborn is a production designer with over 29 years industry experience. Prior to 3 SONIC THE HEDGEHOG features, and JJ Abram’s THE GREAT BEYOND, Mr. Freeborn had served as Supervising Art Director for James Cameron’s AVATAR 2 & 3. Mr. Freeborn is also know for his art direction work on Oscar® nominated INCEPTION and PASSENGERS, as well as ADG recognized movies, LOGAN, STAR TREK, THOR, INDIANA JONES and the KINGDOM of the CRYSTAL SKULL, ANGELS and DEMONS, and numerous others. - [Moira Tait](https://setandscene.show/speaker/moira-tait/) - Moira Tait graduated in English language and literature from Kings College London. Having worked as a copywriter and editor at a graphic design advertising agency, she then studied theatre design as a post graduate at the Slade School of Art, where she was taught by Nicholas Georgiadis CBE and Peter Snow, mentored by the painter Sir William Coldstream. Moira joined the BBC as a trainee and within a year became a fully-fledged production designer. She worked on many series, one-off dramas and several Play For Today productions. Her film credits include Alan Bennett’s ‘Sunset Across the Bay’ and ‘Play Things’ by Peter Prince, both directed by Stephen Frears. Moira spent two years away from the BBC in Venezuela working as a set designer for Venevision before returning to the BBC, and several years as a freelance designer, subsequently becoming an educator. She has constructed and tutored courses in production design for film and television at both BA and MA levels in the UK and in Europe. These include Kingston University, The Royal College of Art, Wimbledon School of Art, Stockholm University of the Arts and the Norwegian Film School where she was visiting Professor for many years. Moira founded the MA Course in Production Design at the National Film and Television School and was head of the department for many years. She is currently a Senior Tutor there and also supervises and assesses the dissertation component of the course. In addition, she is working regularly as a visiting tutor at the London Film School in Covent Garden. She has moderated many design masterclasses with luminaries including Sarah Greenwood, Nathan Crowley, Fiona Crombie and the Production Designer of ‘Parasite’, Lee Ha-Jun. Over the years, Moira has held many external examining posts in the UK and abroad and is at present external examiner for the Production Design BA at Nottingham Trent University. In 2016 she was awarded a Lifetime Achievement Award by the British Film Designers Guild and is a core committee member of the organisation. The Royal College of Art made her an honorary fellow in recognition of her contribution to film and television education and the industry. Moira is a voting member of the British Academy of Film and Television Arts. - [Roberto Oliveri](https://setandscene.show/speaker/roberto-oliveri/) - Roberto Oliveri is an experienced Greens Head of Department, working and designing large scale natural sets with Greens Team Ltd. With over a decade worth of hands-on experience Roberto is known for his collaborative approach, with both designers and crew, building strong and creative environments both on and off the screen. With a keen eye for details and a deep understanding of both natural and constructed landscapes, Roberto and his team consistently deliver work that enhances storytelling and elevates the overall production design. Roberto’s credits include Hamnet, Jurassic World Dominion, Mission Impossible 7, Disclaimer, The Acolyte ect - [Gabor Biro (Bitsu)](https://setandscene.show/speaker/gabor-biro-bitsu/) - Known as Bitsu, Gabor Biro is a Senior Head of Department at Greens Team, bringing over two decades of experience building immersive natural environments for film and television. His work spans blockbuster productions for Disney, Netflix, Amazon and more, but it’s the amazing people he collaborates with – now trusted friends – that continue to drive him. - [Elaine Kusmishko](https://setandscene.show/speaker/elaine-kusmishko/) - I have a background in Textile, Theater, Production Design and Fine Arts. I currently work as an Supervisor / Senior Art Director in the film industry, where I seem to have a bit of a reputation for “Greens” Sets, working within the landscape, but sometimes building them entirely from scratch! I have been very fortunate to enjoy all the challenges that come from creating whole environments, working with multiple department logistics …. In my free time I have been exploring the Italian landscape of Umbria, painting en plein air, working mainly in oils, and only from perception. I have been chasing those ever illusive moments in the landscape when form and light find a natural abstraction…… This is my real challenge, and one that I feel is life long !